Independent Film Production Company

Film News: Go deep with the team behind 'Beowulf' -- At Sony Imageworks, 3-D isn't just a segment-time interest but a dedicated production pipeline. In 2005, the company helped convert Robert Zemeckis' "The Polar Express" to 3-D, creating a special stereoscopic version of the toon for Imax theaters. A year later, the effects house gave "Open Season" the 3-D treatment, and now it's wrapping work on Zemeckis' motion-capture follow-up, "Beowulf," due to open on nearly 1,000 digital 3-D screens this fall. Variety sat down with three of Imageworks' 3-D pros -- exec VP Debbie Denise (who oversees the 3-D pipeline), digital effects supervisor Rob Engle (stereo lead on "Beowulf") and senior producer Buzz Hays -- for a roundtable discussion about the past, present and future of the format.

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